Kasutatud kirjandus
- Barsam, Richard; Monahan, Dave 2010. Looking at Movies: An Introduction to Film. New York: Norton.
- Boggs, Joseph M.; Petrie, Dennis W. 2004. The Art of Watching Films. 6th ed. New York: McGraw-Hill.
- Bordwell, David; Thompson, Kristin 2010. Film Art: An Introduction. 9th ed. New York: McGraw-Hill.
- Burch, Noël 1973. Theory of Film Practice. Trans Helen R. Lane. New York: Praeger. Cutting, James E.; Brunick, Kaitlin L.; Delong, Jordan E. 2011. The Changing Poetics of the Dissolve in Hollywood Film. – Empirical Studies of the Arts, kd 29 (2), lk 149–169, http://people.psych.cornell.edu/~jec7/pubs/dissolvesesa.pdf
- Foto- ja filmitehnika entsüklopeedia. Tallinn: Valgus, 1988.
- Grossschmidt, Viivi 1982. Ühe filmivõtte lood. Tallinn: Eesti Raamat.
- Pramaggiore, Maria; Wallis, Tom 2011. Film: A Critical Introduction. 3rd ed. London: Laurence King.
- Thalheim, Triin 2011. Väike inglise-eesti seletav filmisõnastik. Magistritöö. Käsikiri. Tartu: Tartu Ülikool, Filosoofiateaduskond, Germaani, romaani ja slaavi filoloogia instituut.
Edasiseks lugemiseks
- Altman, Rick 1992. Sound Theory / Sound Practice. London: Routledge.
- Arijon, Daniel 1991. Grammar of the Film Language. Los Angeles: Silman-James Press. Barnwell, Jane 2004. Production Design: Architects of the Screen. London, New York: Wallflower.
- Barsacq, Léon 1978. Caligari’s Cabinet and Other Grand Illusions. New York: New American Library.
- Ben-Shaul, Nitzan 2007. Film: The Key Concepts. Oxford: Berg.
- Bergfelder, Tim; Harris, Sue; Street Sarah 2007. Film Architecture and the Transnational Imagination: Set Design in the 1930s European Cinema. Amsterdam: University Press. Bordwell, David 1999. On the History of Film Style. Cambridge: Harvard University Press. Bordwell, David 2007. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press.
- Bordwell, David; Thompson, Kristin 2006. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge.
- Brown, Blain 2011. Cinematography: Theory and Practice. 2nd ed. Oxford: Focal Press. Cook, Pam 2007. Cinema Book. 3rd ed. London: BFI.
- Eisenstein, Sergei 1977. Film Form: Essays in Film The26ory. Ed & trans Jay Leyda. San Diego: Harcourt.
- Eisenstein, Sergei 1986. The Film Sense. Ed & trans Jay Leyda. London: Faber & Faber. Geiger, Jeffrey; Rutsky, R. L. 2005. Film Analysis: A Norton Reader.
- Giannetti, Louis 2011. Understanding Movies. 12th ed. Boston: Ally & Bacon.
- Leese, Elizabeth 1991. Costume Design in the Movies. New York: Dover.
- Monaco, James 2000. How to Read a Film. New York: Oxford University Press.
- Neumann, Dietrich (ed) 1996. Film Architecture: Set Designs from Metropolis to Blade Runner. München: Prestel.
- Nichols, Bill 2010. Engaging Cinema: An Introduction to Film Studies. London, New York: Norton.
- Pearlman, Karen 2009. Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal Press. Reisz, Karel 2010. The Technique of Film Editing. 2n ed. Oxford: Focal Press.
- Salt, Barry 2009. Film Style and Technology: History and Analysis. 3rd ed. Starword.
- Stam, Robert 2011. Filmiteooria: sissejuhatus. Tlk Eva Näripea, Mari Laaniste, Andreas Trossek. Tallinn: Eesti Kunstiakadeemia.
- Tashiro, C. S. 1998. Pretty Pictures: Production Design and the History Film. Austin: University of Texas Press.
- Thompson, Roy 1993. Grammar of the Edit. 9th ed. Oxford, New York: Focal Press. Weis, Elisabeth; Belton, John 1985. Film Sound: Theory and Practice. New York: Columbia University Press.